Quilt Reconstruction

A friend from church messaged me earlier in December and asked if I might be up for possibly fixing her long-loved quilt that her grandmother made her. I’m friends with the grandmother, and we talk shop about quilts all the time.
She sent me a picture of the original top before the quilt was finished.  It was made of bright 2″ squares and was scrappy in design.  Cute as could be.

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Then she sent me pictures of the back and the damage that had come from pretty constant use.  Once I had my hands on it, I noticed that many of the squares in the front were also shredding.  In fact, the quilt itself had almost been loved to death – the ultimate compliment for any quilter.

The first step was to disassemble the quilt.  This was actually easier than anticipated because it was a tied quilt.  I actually brought a seam ripper with me to my grandmother’s and got to work while she and I were chatting after Christmas. I separated the front from the back and batting and removed any squares beyond repair.

When I returned home, I used squares already cut from my own scrap stash that would blend in easily color-wise. Then I added a layer of white fabric underneath the top. This gave the thin top layer something to “hold on” to and to take the stress of the thread off of that thinner fabric. I found out from a previous reconstruction that it can also help revive some of those faded colors. It did result in a heavier quilt, though, especially since I’d changed it from the original polyester batting to cotton.

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From there, I had to pick a different backing as the store didn’t sell that same pattern anymore. I found one pattern that was closer in color, but it was thinner, and I didn’t want to be right back where we were again so soon.  So in the end, I chose a brighter green pattern that was a bit thicker and would last longer.

The quilting on this one needed to be closer, especially on the squares that still had some damage. I went with a stipple pattern because it would help when some squares needed extra quilting, and it would even out any misalignment from the top being pulled into shape and the old fabric stretching more. Pretty much every square has at least two lines of quilting running through it.

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In the end, I’m pretty proud of it, but I’ll admit I held my breath a bit when I put it in my washer and dryer.  But it turned out fine, and I am confident that it will stand up to many more uses to come.

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Related Blogs and Posts:

DIY Quilt Repair/Reconstruction

Saving the Double Wedding Ring Quilt: Vintage Linens and Trims to the Rescue!

Saving the Pink Fan Vintage Quilt

 

New adventures

I love the craft fairs and being a vendor at them.  They’re fun, and I get to meet lots of different people.  But one issue I run in to is that I don’t sell many smaller items.  Much of my inventory is higher priced, so I’m learning what shows work for me.

Lots of folks will come by and oohhh and aaaahhh, but if they aren’t bothering to look at price tags, they didn’t come prepared to shop.  And if you’re selling larger priced items, you need to find shows where people are prepared to shop.  Shows that are focused on something else and have thrown vendors in as an aside don’t often do well for larger-priced items.

So I’ve found that Spring shows haven’t done well for me in the past.  Let’s face it – quilts don’t sell well in warm weather.  I’d sworn I wasn’t going to do anymore Spring shows, but two came up that I just couldn’t resist giving a try.

One is the Riley Day event, April 27th, hosted by the fine people over at the Amanda Riley Foundation. All proceeds from that show go to support families as they deal with childhood cancer, and the more I learn about the Riley family the more I want to support them.  So I figure it’s a win no matter what, and the fact that it would reach my niche client group is a major bonus.

The other event is my biggest event yet – the Vintage Market Days of Greater Atlanta, May 31-June 2.  Vintage Market Days specializes in antiques, recycled and up-cycled art and decor, and they have shows all over the USA.  My daughter and I went on a reconnaissance visit to the Christmas one, and I thought I might do alright at it.  My daughter gave her 8 year’s wisdom and agreed that it was worth a shot.  Again, the people attending looked like they might be in my niche client group – folks who liked sentimental items, especially re-purposed ones.  So I don’t know how my ready-made items will do, but I’m thinking my t-shirt quilt commissions will fair well.

Since the big event is also inside, I’m trying something new with my booth layout, and I’ll use the Riley Day event to test it out.  So here’s hoping the new layout pays off.

So if you’re in the area, come on by and say hi!

 

Vintage 9-Patch Lap Quilt

My husband’s family is large.  Some might say huge, even.  How big is it?  Well, it’s so big that at Christmas they finally started drawing names out of a hat instead of everyone going broke trying to buy for one another.  It makes complete sense, and I love it.  Sometimes it can get a little hard when I don’t know someone all that well, but I’m also lucky that they are perfectly content with gift cards.  As am I, by the way, and I love that I can pretty much count on a Target or JoAnn’s gift card from the Nashville crew each year.

A few years ago I drew my mother-in-law’s name.  Now she doesn’t mind giving gift cards, but I couldn’t remember a single time I’d ever seen her spend one.  Then I remembered one thing she and I had in common – a love of quilts.  In addition to animals, my mother-in-law likes to collect orphaned quilts.  She has them hanging over her banisters and on quilt racks all around her home.  Mostly they are older and made by some long-since-deceased relative.  I like looking at the hand-quilting on them.  It’s mostly the Baptist fan pattern.

When she looked through her own deceased mother-in-law’s cedar chest, she found some vintage 9-patch blocks that she gave over to me.  She likes collecting quilts, not making them.  I figured I’d do something with them in the distant future, but when I drew her name in the Christmas drawing I brought them out sooner along with some of the other vintage fabric she’d found and passed my way.

It was a relatively east fix. 1. Square up the original 9-patch blocks. 2. Trim the other vintage fabric she’d given me and make sashing. 3. Assemble. 4. Add borders. Voila!

 

This was also one of the first times I’d tried out a label.  It worked well, and I placed it in a lower corner.